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I hope it sets a new standard for feature-length animated films. It's worth seeing because of the animation. The bottom line is, despite any objections, complaints, or concerns I might have about this film, despite the moral, religious, or idealogical issues it brings up, and despite the $8 and two hours you'll spend, this film is worth seeing. No character can be effective if the viewer can't separate the voice from the actor supplying it. I wish they would stop relying on celebrity voices for animated features. I suspect that I wasn't really bothered by the others only because I hadn't seen a cast list before seeing the film. The only complaint I have about the voice acting is that Jeff Goldblum's unmistakable mannerisms seriously distract from his character. In general, I thought the story was well told, with solid direction and a good script. On the other hand, it's a story in which the protagonists succeed only through a greater capacity for cruelty and destruction and the slaughter of innocent children, so it's kind of hard to nail down any concrete moral standard here. I found their musical number especially appalling. Even worse than their unoriginality, however, is the open mockery of ancient Egyption religion and culture, which these two characters embody. I am referring, of course, to the unnecessary musical numbers and the two high priests, the film's comic relief, who are drawn grossly out of proportion to the other characters.
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What a shame, since Disney hasn't made a decent film since Aladdin. Comparisons with Disney are inevitable, especially because Prince of Egypt employs tired Disney formula in an attempt, I assume, to remain economically viable. In fact, the initial depiction of Egypt is so breathtaking, that it seriously hinders the film's later efforts to vilify it. More importantly, as someone who has eyes, I can say that the result is a visual experience of intense style and beauty. As someone who has an interest and appreciation of animation, I can say that this is the first film I've seen that successfully integrates computer-generated animation and traditional animation (and I've seen many attempts). Before commenting on the film as a whole, I want to make that clear, because in the inevitable rush to pick this film apart (the plot, the voices, the religious significance, the literary accuracy, the moral issues, the music, the comparisons with Disney and de Mille, etc.) one might easily become distracted from the aesthetic and technical triumphs of The Prince of Egypt, and that would be unfortunate.
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This is very possibly the finest animation I've seen.
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